Saturday, January 27, 2007

The Good German
Retro noir: Steven Soderbergh set out ‘to make a film that looked and sounded like an old studio picture, but without the old studio prohibitions’ as The New York Times’ unflattering review says (here are links to more reviews). I liked it. Seeing it in a 1920s cinema, even one broken up into small screens, added something.
Officers and enlisted men simply could not duke it out like that, without getting court-martialed.
Thought of that too.

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