The Good German
Retro noir: Steven Soderbergh set out ‘to make a film that looked and sounded like an old studio picture, but without the old studio prohibitions’ as The New York Times’ unflattering review says (here are links to more reviews). I liked it. Seeing it in a 1920s cinema, even one broken up into small screens, added something.

Officers and enlisted men simply could not duke it out like that, without getting court-martialed.

Thought of that too.