Missed this one when it came out. Trying to be an artsy action pic? (It’s been described as a feature-length music video.) I think I see everything that’s wrong with it but like it anyway. (I don’t think it’s ironic hipster satire. Amy Madigan as the ’80s-coiffed cardboard-butch sidekick – like Athena to Michael Paré’s Ulysses? – didn’t work.) Classic cars, fights, a badboy hero and 19-year-old Diane Lane. (Rick Moranis is the comic relief.) It helps that I like the ’80s music in it. Surreal with deliberate anachronisms mixing the golden and modern eras, like sci-fi’s Dark City but without an explanation; just an alternative world or 1984 as I would have liked it, with ’50s noir and cars, or the Sixties never happened. (Sort of like Havana.) Like Moulin Rouge; you either love it or hate it? (I loved Moulin Rouge.) I like Michael Paré, the anachronisms and clichés of Eddie and the Cruisers notwithstanding (Springsteen/E Street Band look- and soundalikes in ’63: no), for his starring role in the time-travel film The Philadelphia Experiment (based on the legend of a destroyer escort briefly disappearing in a WWII electronic-force-field cloaking experiment).
Catholic integralism is the true seamless garment.
Don't apologize for things you didn't do, to people who don't believe in forgiveness or redemption.
Thursday, November 08, 2012
'Streets of Fire' (1984)
Missed this one when it came out. Trying to be an artsy action pic? (It’s been described as a feature-length music video.) I think I see everything that’s wrong with it but like it anyway. (I don’t think it’s ironic hipster satire. Amy Madigan as the ’80s-coiffed cardboard-butch sidekick – like Athena to Michael Paré’s Ulysses? – didn’t work.) Classic cars, fights, a badboy hero and 19-year-old Diane Lane. (Rick Moranis is the comic relief.) It helps that I like the ’80s music in it. Surreal with deliberate anachronisms mixing the golden and modern eras, like sci-fi’s Dark City but without an explanation; just an alternative world or 1984 as I would have liked it, with ’50s noir and cars, or the Sixties never happened. (Sort of like Havana.) Like Moulin Rouge; you either love it or hate it? (I loved Moulin Rouge.) I like Michael Paré, the anachronisms and clichés of Eddie and the Cruisers notwithstanding (Springsteen/E Street Band look- and soundalikes in ’63: no), for his starring role in the time-travel film The Philadelphia Experiment (based on the legend of a destroyer escort briefly disappearing in a WWII electronic-force-field cloaking experiment).
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OMG - Streets of Fire is an exciting, rockin' pic. Great visuals. I've seen it about 5 times. It's kind of dated now I suppose. But still worth seeing for the acting and cinematography.
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